Kennedy Browne
Kennedy Browne (est. 2005) is the collaborative practice of artists Gareth Kennedy and Sarah Browne, based in Ireland. Kennedy Browne seeks to address the supposedly eternal narrative of neoliberal capitalism as a fiction. They work mainly with moving image, working with collaborative processes of scripting, editing, and re-staging in locations they identify as significant within the plot of global capitalism—such as the Titanic Quarter in Belfast, at the Whiddy Island Strategic Oil Reserve in Bantry Bay, and in Silicon Valley, California.
Real World Harm interrogates the intersections of technology, surveillance, and labour. The installation uses immersive audio and sculptural to foreground the human and material costs of sustaining digital infrastructures.
In 2018 Kennedy Browne presented The Special Relationship at Krannert Art Museum, a survey exhibition of work since 2009. In 2019 they had a solo exhibition at The Hugh Lane, Dublin City Gallery, titled The Redaction Trilogy. This was accompanied by a new monograph of the same title, containing essays by Jessica Foley and Amy Powell.
Their solo exhibitions include The Myth of the Many in the One, Wilfried Lentz Gallery, Rotterdam (2014); How Capital Moves, Limerick City Gallery of Art (2011) and 167 at the Centre Culturel Irlandais, Paris (2010). Group exhibitions include Liquid Assets at the Steirischer Herbst Festival, Graz, Austria (2013); the Bern Biennial, Switzerland; Zero1 Biennial, San Jose (both 2012) and L’Exposition Lunatique, Kadist Foundation, Paris (2010). Kennedy Browne co-represented Ireland at the 53rd Venice Biennale with Gareth Kennedy and Sarah Browne.
www.kennedybrowne.com 
